Hurricane Maria. … Hurricane Maria was a deadly Category 5 hurricane that devastated Dominica, St Croix, and Puerto Rico in September 2017. It is regarded as the worst natural disaster in recorded history to affect those islands and was also the deadliest Atlantic hurricane since Mitch in 1998.
Puerto Rico Election
does she love new papa lenny?
quake….4 days later
The Earth starts to rumble….rev 16
this is the jlo movie in “the cell” they build a space rocket at the end
San Juan for Beast 1333
try and do it today
but i got other fish to fry right now
La Operación…synopsis
the mass sterilization of Puerto Rican women
Puerto Rican children must be eliminated from the social body. We are in charge of God’s selection process for planet Earth. …
Our blood must be pure, ALWAYS, for it is the way to underverse.
“For decades the doctors in Barceloneta sterilized Puerto Rican women without their knowledge or consent. Even if told about la operación (the operation), the women were not informed that it was irreversible and permanent. Over 20,000 women were sterilized in this one town.4 This scenario was repeated throughout Puerto Rico until—at its high point—one-third of the women on the island had been sterilized and Puerto Rico had the highest incidence of female sterilization in the world.5 This campaign of sterilization stemmed from a growing concern in the United States about “inferior r
aces” and the declining “purity” of Anglo-Saxon bloodlines.”
― Nelson Denis, War Against All Puerto Ricans: Revolution and Terror in America’s Colony
I told my Joe, be nice to JLO
HIs crazy ideas are never going to work. No money no honey. Joe’s New world order doesn’t make any money. Electricity costs money so Joe has to sleep instead of working all night. I told the doctor give him drugs to sleep.
Title: La Flor Marchita (The Withered Flower)
Genre: Historical Drama
Logline: In 1950s Puerto Rico, a determined nurse (Jennifer Lopez) uncovers a horrifying government-sanctioned sterilization program targeting women on the island. As she fights to expose the truth, she risks everything to give her people a voice.
FADE IN:
EXT. PUERTO RICO – A MOUNTAIN VILLAGE – DAY
The lush, tropical beauty of Puerto Rico contrasts with the struggles of its people. Children play in the dirt, mothers hang laundry, men work in sugarcane fields.
INT. CLINIC – DAY
A crowded rural clinic. Women cradle babies while waiting for medical care. MARIA TORRES (Jennifer Lopez), a compassionate nurse in her late 30s, moves between patients. She speaks in soothing Spanish.
MARIA
Tranquila, señora. Esto no dolerá. (Relax, ma’am. This won’t hurt.)
She administers a vaccine to a young mother, LUISA (20s).
LUISA
Gracias, María. Siempre nos cuidas.
Maria smiles, then notices DR. KAUFMAN (50s, American, cold and clinical) whispering to another DOCTOR. They eye Luisa’s chart.
EXT. CLINIC – EVENING
Maria watches as a woman, DOÑA ROSA (40s), sobs on the steps. She approaches.
MARIA
¿Qué pasó, Doña Rosa?
DOÑA ROSA
Me operaron sin decirme nada. Nunca podré tener más hijos…
Maria’s face darkens. Something is very wrong.
ACT 2: DISCOVERY
INT. CLINIC – MARIA’S OFFICE – NIGHT
By candlelight, Maria rifles through patient files. She finds alarming records—dozens of women unknowingly sterilized. Some documents are signed by Dr. Kaufman.
EXT. TOWN CENTER – DAY
Maria meets with PEDRO (40s, journalist, her childhood friend).
MARIA
Pedro, they’re sterilizing our women like cattle.
PEDRO
The Americans call it ‘population control.’ They say it’s for our own good.
MARIA
Since when do they decide what’s good for us?
Pedro sighs, conflicted. He knows the truth is dangerous.
ACT 3: RESISTANCE
INT. GOVERNOR’S OFFICE – NIGHT
Maria confronts GOVERNOR MUÑOZ MARÍN (50s, calculating).
MARIA
Our women are being robbed of their future. This is genocide.
GOVERNOR MUÑOZ MARÍN
It is progress, Nurse Torres. We cannot afford too many mouths to feed.
Maria’s fury burns.
EXT. TOWN SQUARE – DAY
Maria organizes a protest. Women march, chanting:
WOMEN
¡Nuestros cuerpos, nuestra decisión! (Our bodies, our choice!)
Dr. Kaufman watches from a military jeep. The National Guard moves in. Chaos erupts.
ACT 4: CONSEQUENCES
INT. JAIL CELL – NIGHT
Maria, bruised and defiant, sits in a dark cell. Pedro smuggles in a newspaper. The front page: STERILIZATION SCANDAL EXPOSED.
PEDRO
You did it, María. The world knows now.
A tear rolls down Maria’s cheek. The fight isn’t over, but hope remains.
FADE TO BLACK.
TEXT ON SCREEN:
Between the 1930s and 1970s, over one-third of Puerto Rican women were sterilized without full consent. Their voices were silenced, but their struggle was not in vain.
FADE OUT.
I want to add the freemason symbolism:
Title: La Flor Marchita (The Withered Flower)
Genre: Historical Drama
Logline: In 1950s Puerto Rico, a determined nurse (Jennifer Lopez) uncovers a horrifying government-sanctioned sterilization program targeting women on the island. As she fights to expose the truth, she risks everything to give her people a voice.
FADE IN:
EXT. PUERTO RICO – A MOUNTAIN VILLAGE – DAY
The lush, tropical beauty of Puerto Rico contrasts with the struggles of its people. Children play in the dirt, mothers hang laundry, men work in sugarcane fields.
INT. CLINIC – DAY
A crowded rural clinic. Women cradle babies while waiting for medical care. MARIA TORRES (Jennifer Lopez), a compassionate nurse in her late 30s, moves between patients. She speaks in soothing Spanish.
MARIA
Tranquila, señora. Esto no dolerá. (Relax, ma’am. This won’t hurt.)
She administers a vaccine to a young mother, LUISA (20s).
LUISA
Gracias, María. Siempre nos cuidas.
Maria smiles, then notices DR. KAUFMAN (50s, American, cold and clinical) whispering to another DOCTOR. They eye Luisa’s chart.
EXT. CLINIC – EVENING
Maria watches as a woman, DOÑA ROSA (40s), sobs on the steps. She approaches.
MARIA
¿Qué pasó, Doña Rosa?
DOÑA ROSA
Me operaron sin decirme nada. Nunca podré tener más hijos…
Maria’s face darkens. Something is very wrong.
ACT 2: DISCOVERY
INT. CLINIC – MARIA’S OFFICE – NIGHT
By candlelight, Maria rifles through patient files. She finds alarming records—dozens of women unknowingly sterilized. Some documents are signed by Dr. Kaufman.
She glances down at the checkered floor beneath her feet, scrubbing it absentmindedly. A realization dawns upon her—the black and white tiles are not just decorative. A symbol of duality, power, and control. She remembers whispers of the Masonic symbolism—light and darkness, knowledge and ignorance, life and death.
EXT. TOWN CENTER – DAY
Maria meets with PEDRO (40s, journalist, her childhood friend).
MARIA
Pedro, they’re sterilizing our women like cattle.
PEDRO
The Americans call it ‘population control.’ They say it’s for our own good.
MARIA
Since when do they decide what’s good for us?
Pedro sighs, conflicted. He knows the truth is dangerous.
ACT 3: RESISTANCE
INT. GOVERNOR’S OFFICE – NIGHT
Maria confronts GOVERNOR MUÑOZ MARÍN (50s, calculating).
MARIA
Our women are being robbed of their future. This is genocide.
GOVERNOR MUÑOZ MARÍN
It is progress, Nurse Torres. We cannot afford too many mouths to feed.
Maria’s fury burns.
EXT. TOWN SQUARE – DAY
Maria organizes a protest. Women march, chanting:
WOMEN
¡Nuestros cuerpos, nuestra decisión! (Our bodies, our choice!)
Dr. Kaufman watches from a military jeep. The National Guard moves in. Chaos erupts.
ACT 4: CONSEQUENCES
INT. JAIL CELL – NIGHT
Maria, bruised and defiant, sits in a dark cell. Pedro smuggles in a newspaper. The front page: STERILIZATION SCANDAL EXPOSED.
PEDRO
You did it, María. The world knows now.
A tear rolls down Maria’s cheek. The fight isn’t over, but hope remains.
FADE TO BLACK.
TEXT ON SCREEN:
Between the 1930s and 1970s, over one-third of Puerto Rican women were sterilized without full consent. Their voices were silenced, but their struggle was not in vain.
FADE OUT.